WINTER 1988 / NUMBER 1
Contents
John Rimmer talks to Music in New Zealand
Adrienne Simpson The New Zealand Chamber Orchestra Comes of Age
Peter Scholes Travels with a Clarinet
Barry Empson The Threepenny Opera at Downstage
Graham Hamblett Lucia di Lammermoor at the Mercury
William Main Tom Shanahan: A Musician-Photographer
Peter Shaw Pierre Boulez in Wellington
Nigel Horrocks Greg Johnson
Elizabeth Kerr Jack Body in China
J .M. Thomson The Boundaries of Music Criticism
Records
SPRING 1988 / NUMBER 2
Contents
Peter Shaw Karl Amadeus Hartmann's Widow thanks the NZSO
Elizabeth Kerr Jenny McLeod talks to Music in New Zealand
John Elmsly New Sounds at Nelson
Ian Dando The Christchurch Symphony Orchestra
Nybya Dando Rigoletto at Canterbury Opera
Allan Thomas Widiyanto S. Putro: The Gamelan and the West
Paul McKessar Flying Nun Records
Erik Gerritsen Jazz at the Sheraton: The Fifth Southern Comfort Jazz and Blues Festival
Books
Records
Letters
SUMMER 1988-89 / NUMBER 3
Contents
William Dart A Unicorn for Christmas: A Right Royal Opera
Lynne Cantlon; Geoffrey Coker; Desmond Digby; Dorothy Hitch; Honor McKellar; Paul Person A Unicorn Remembered
Adrienne Simpson Lucia di Lammermoor: A Consolidation jor Wellington City Opera
Adrienne Simpson Enjoying the Best of Both Worlds: A Profile of Alec Loreto
Nigel Horrocks Peter Raeder
Dorothy Ker For the Young: Piano Music by New Zealand Composers
Allan Thomas Townsville 1988: The Fifth Pacific Festival of the Arts
Kerry Buchanan The Upper Hutt Posse: Music with a Message
Books
Records
Letters
AUTUMN 1989 / NUMBER 4
Contents
J.M. Thomson Patrician and Perfectionist: The Young Maurice Clare 1914-1987
Erik Gerritsen Tommy Adderley talks to Music in New Zealand
Jennifer M. McIntyre Felicity Williams and the Composer-in-Schools Scheme
Jeremy Commons Malvina Major Returns
William Main The Photographs of Gerald E. Jones (1881-1963)
Len Stanners The Craft behind the Sound: Instrument Craftspeople in New Zealand
Simon Ravens The National Youth Choir at the Crossroads
Oliver Stead A High Profile: Warwick Blair and Peter van der Fluit
Books
Records
WINTER 1989 / NUMBER 5
Contents
Russell Bond Phyllis Brusey: A Tribute
Philip Norman Publishing and Composing in New Zealand
William Dart Michael Houstoun talks to Music in New Zealand
Adrienne Simpson Two Steps Forward, One Step Back: Wellington City Opera's Carmen
Noel McKinnon The Ups and Downs of Opera: Mercury Theatre's Faust
Peter Harcourt Towards a New Zealand Musical
William Main John Prouse (1856-1930): New Zealand's First Recording Artist
Wystan Curnow A Conversation with Annea Lockwood
Allan Thomas Pacific Drum Festival 1989
John Kingston Zen and the Art of Jazz Improvisation
Concerts
Books
Music
Records
Letters
SPRING 1989 / NUMBER 6
Contents
Christopher Blake The Case for Change: Strategies for the Performing Arts
Elizabeth Kerr Gillian Whitehead talks to Music in New Zealand
Eve de Castro-Robinson SOUND/WATCH: The Contemporary Edge at Auckland's Artspace
Richard Bolley John Rimmer at Fifty
Alan Wells New Zealand Piano Music: Margaret Nielsen in Conversation
William Dart Dynamo from Down Under: Aunt Daisy at Downstage
Nybya Dando A Popular Choice: Canterbury Opera's La Traviata
Simon Ravens A Music Festival at Victoria University
Adrienne Simpson This Country May Well Be Proud Of Her: Frances Aida's 1927 Tour of New Zealand
Riemke Ensing Frank Hofmann 1916-1989
Concerts
Books
Records
Letters
SUMMER 1989-90 / NUMBER 7
Contents
Martin Lodge Timely Thoughts
Farquhar Wilkinson Gyorgy Lehel (1926-1989)
Paul Goodson The Theatre Music of Philip Nonnan
Noel McKinnon Duelling Dons and Divas: Recent Productions at the Mercury Theatre
John Drummond The Long Wait: The Magic Flute on Television
Adrienne Simpson A Touch of International Class: Wellington City Opera's Production of Faust
David Hamilton The Finnish Connection: The Finland Choral Exchange 1989/90
William Dart Georg Tintner
Laurence Anderson Andrew Sewell
John Elmsly New Zealander's Abroad
Angela R. Annabell The Australian Influence on New Zealand Folk-song
Sarah Shieff Building a Culture: Music in New Zealand in the Nineteen-forties
Garth Cartwright Paul Hewson
Concerts
Books
Records
Letters
AUTUMN 1990 / NUMBER 8
Contents
Bruce Morley How did it do at home?
Kirsty Cochrane A Waikato Celebration
Reports from Abroad: Eve de Castro-Robinson & Bill Direen
Donald McIntyre talks to Music in New Zealand
Roger Joyce Noel Sanders: A Composer in Wellington
Erik Gerritsen Phil Broadhurst
Paul McKessar Tall Dwarfs: Searching for Alternatives
Adrienne Simpson Boyd Neel and After: A Tale of Two Orchestras
J. M. Thomson Coda
Roger Flury Wagner in Wellington
Records
WINTER 1990 / NUMBER 9
Contents
Dorothy Buchanan talks to Music in New Zealand
Reports from Wellington's Third International Festival of the Arts
Martin Lodge Sir Michael Tippett in New Zealand
Steve Reich in conversation with Philip Dadson
Noel McKinnon Turandot at the Mercury Theatre
Martin Secker Nigel Keay
Mervyn Thompson The Song is Sung: Mervyn Thompson and Music Theatre
Peter Walls Early Music in Wellington
Denise Hulford New Zealand Composers in Japan
Allan Thomas Pacific Drums: Rhythms of a Commonwealth Festival
J. M. Thomson Coda
Concerts
Music
Books
Records
SPRING 1990 / NUMBER 10
Contents
Alan Wells Young Composers at Nelson
Susan Frykberg A1990 Celebration: The Auckland CANZ Concerts
Noel Sanders Gerard Crotty: An Introduction to his Life and Music
John Elmsly A Conversation with Lyell Cressell
William Dart Jean: the Ballet
John Ritchie Tosca at Canterbury Opera
Paul R. Bushnell Rodney Macann: An Expatriate Returns
Peter Harcourt Wainwright Morgan: A Kiwi Cavalier in London
Reo Sheirtcliff Dancing in the Dark: A Memoir of Epi Shalfoon
Chris Bourke Wayne Mason: From Fourmyula to Warratahs
John M. Jennings Time Enhances Our Understanding: The Significance of the 1960s for New Zealand Composition
J. M. Thomson Coda
Books
Letters
Records
SUMMER 1990-91 / NUMBER 11
Contents
Neil McGough Juan Matteucci (1922-1990)
Donald Bassett Broken Music: Music at the Sydney Biennale
Susan Frykberg The Heroic Impulse: From Scratch in 1990
Geoffey Coker Sing Aotearoa: A Choral Odyssey
Douglas Lilburn: The Third Symphony: A Symposium
Dean Major Allegro Concertante: Douglas Lilburn's Violin Music
Jill Palmer Into the Nineties: The Vision of Douglas Lilburn
William Dart A Conversation with Helen Young
Terry Vaughan A Pedalpoint: The Kiwi Concert Party in North Africa
Janet Paul A Heritage Claiumed: Musical Images at the National Library
Nicholas Wheeler Jack Body: From Indonesia to the Electronic Studio
Rod Biss Deco Rossini: The Barber of Seville at the Mercury Theatre
Paul R. Bushnell A Need for Consolidation: Canterbury Opera's La Boheme
Roger Joyce Post-Nuclear Puccini: Wellington City Opera's Madama Butterfly
John Kingston Winter Pleasures: Jazz at the Auckland City Art Gallery
Roy Colbert Singing in My Sleep: Martin Phillipps and the Chills
Neville Cohn Frank Callaway
J. M. Thomson Coda
Concerts
Books
Records
AUTUMN 1991 / NUMBER 12
Contents
Sue Court Two January Conferences
Anthony Jennings Maxwell Fernie: A Personal Tribute
John Ritchie Philip Norman and the Southern Ballet Theatre: The Last Collaboration?
Juliet Palmer Matthew Suttor
Richard Bolley Responses and Resonances: Meetings with Eve de Castro-Robinson
Peter Shaw Raymond Hawthorne: An Engagement with Opera
Alan Wells Helen Fisher: Biculturalism-Beyond 1990
Gregory O'Brien Mike Nock talks to Music in New Zealand
Giovanni Intra Drone: A Short History
Jennifer Macintyre The Christchurch School of Instrumental Music: A Profile
Chris Bourke R. B. Williams: He Came, He Sang, He Stayed
Kerry Stevens State of the Art: Radio New Zealand in Auckland
J. M. Thomson Coda
Books
Records
WINTER 1991 / NUMBER 13
Contents
Murray Biggs Richard Rodney Bennett in Wellington
Jocelyn C. Johnstone Angela & Graeme Gorton: An Operatic Duo
Nybya Dando A Major Success: Canterbury Opera's Madama Butterfly
Noel McKinnon Mercurial Metropolitan: Figaro at the Aotea
Peter Crowe The Lost Generation Strikes Back: Forgotten Fifties Student Composers
Margie Thomson A New Song: Women's Music in Aotearoa
Ashley Heenan The Schola Musica and New Zealand Composition: A Retrospective
John M. Jennings A Double Century: Music Teaching in Christchurch
Jeremy Commons Festival at Tolentino: In Search of Nicola Vaccai
Allan Thomas Facing the Music: Church Music and the Organ in a 19th century New Zealand Church
Paul Winther Amphitheatre: Rock Festival in an Art Gallery
Concerts
Books
Records
SPRING 1991 / NUMBER 14
Contents
John Page Widening the Net: New Strategies for Marketing in the Arts
J. M. Thomson: Honours for a Distinguished Scholar
Martin Lodge Elizabeth Kerr talks to Music in New Zealand
Tom Woods New Sounds, New Music: The 1991 Nelson Workshop
Philip Dadson Electro-Acoustic Music Theatre: An Interview with Susan Frykberg
John Elmsly & David Hamilton: A Conversation
Rachael Hawkey 'This is a British Colony': Vernon Griffiths & Music Education in New Zealand
Roger Joyce Credible & Creditable: Wellington's 11 Trovatore
Noel Sanders The Bride of Fortune: Gillian Whitehead at Perth
Rod Biss Microphones on Catfish Row: Porgy and Bess at the Mercury
Keith Lyons Moscow on the Avon: Alexander Ivashkin comes to Christchurch
Erik Gerritsen Murray McNabb
Paul McKessar Straitjacket Fits: Another Flying Nun Band Make Their Mark Overseas
Performances
Books
Music
Video
Records
Letters
SUMMER 1991-92 / NUMBER 15
Contents
John Young Chris Cree Brown talks to Music in New Zealand
Noel Sanders Climactic Calm: Helen Bowater & Her Music
Juliet Palmer Bang On A Drum: What is this festival with the funny name?
Dorothy Ker The Russians Have Come: Thoughts from Huddersfield
Sue Court Salzburg in Otago: Dunedin Celebrates the Mozart Bicentennial
Rod Biss A Spate of Bohemes: La Boheme in Auckland and Wellington
Lindis Taylor Success in the Provinces: The Pearl Fishers at Hastings
Roger Flury Donald McIntyre: Recorded Performances
Judy Bailey & Gillian Whitehead: A Conversation
Richard James Who Needs Matthew Bannister?
Kurt Ganzl A Life Around Music
Alan Wells Dieter Mack: German Individualist
William Main The First All Blacks?
Music
Performances
Letters
Books
Records
AUTUMN 1992 / NUMBER 16
Contents
Geoffrey Coker The 14th New Zealand National Singing School
Jill Palmer The Archive of New Zealand Music
John Button William Southgate: Conductor, Composer & Musical Ambassador
Roger Joyce Martin Lodge: Matters Postmodernist & Mozartian
Graeme Downes The Clean: Modal Conflict & Resolution
Adrian Kiernander Wendy Dixon
Anthony Ritchie The Dunedin Sinfonia: 25 Years of Orchestral Tradition in Dunedin
J. M. Thomson Sight and Sound: Exhibitions & New Zealand Music 1865-1940
Peter Averi A Theatrical Tragedy in Wellington
Richard Wolfe 'Melodies of Maoriland': Local Imagery in Early New Zealand Sheet Music
Roger Joyce The Mobil Song Quest 1956-1991
Nick Bollinger The Golden Years of HMV: An Interview with Frank Douglas
J. M. Thomson Coda
Books
Records
Letters
WINTER 1992 / NUMBER 17
Contents
Elric Hooper Opportunities for Ecstasy: The Operatic Potential
Ian Dando Maurice Till talks to Music in New Zealand
Dorothy Ker Douglas Mews talks to Music in New Zealand
Martin Lodge Beginning a Search: The Music & Life of Anthony Watson
Paul R. Bushnell Minor Flaws, Major Virtues: Don Giovanni in Christchurch
Martin Lodge At the Hawk's Well: An Operatic First for Nelson
John Thornley Christopher Small: Master of Musicking
J. M. Thomson Alfred Hill (1870-1960): Some Newly-Discovered Photographs
Keith Lyons Judy Bellingham: Darfield's Diva
Arthur Baysting Linn Lorkin: Songwriter
Jeni Little & Stuart Sontier Fiafia: Keeping Traditions Alive
Performances
Music
Books
Records
SPRING 1992 / NUMBER 18
Contents
John A. Gray What about Gioacchino? Some Thoughts on Operatic Repertoire in New Zealand
Martin Lodge An Australian Initiative
J. M. Thomson And in Perspective...
Ivan Patterson Two Score of the Best: The 1992 Nelson Composers Workshop
Eve de Castro-Robinson Pacific Connections: The Sendai Asian Music Festival
Paul Bushnell Updated Mozart: Wellington Opera's Cosifan Tutte
Michael Avery Sounds and Movement: The Vision of Michael Parmenter
Jenny McLeod The Composer Speaks
Alistair Gilkison Waiteata Press Music Editions: 25 Years of Publishing New Zealand Music
William Dart Karen Grylls: Conductor
David Hamilton Confronting the Choral Music
Raymond White Richard Madden: A Voice from the South
Colleen Rae-Gerrard Dorothy Davies: A Personal Reminiscence
Jeremy Commons Claude Meurisse Haydon (1884-1960): The Operatic Ventures
Performances
Books
Records
Letters
SUMMER 1992 / NUMBER 19
Contents
Ann Hunt The 1992 Asia Pacific Festival: A Festival of Two Cities
Elizabeth Kerr New Music Across the Tasman
Te Puoho Katene Wahine Toa: A Creative Partnership
Oliver Stead Boundaries Blurred or Built? The Headlands Video Show
Ian Whalley Ian McDonald: A Composer in the Community
Rod Biss McIntyre at the Helm: The Flying Dutchman in Auckland
David Sell Canterbury Opera's II Trovatore
Edwin Carr: An Uncomfortable Schism
Adam Dubignon Soundwatch '92
Richard Dale Christina Kubisch at Soundwatch '92
Richard Dale Keiko Torigoe at Soundwatch '92
Eve de Castro-Robinson Neville Hall: From Peking Man to Poland
Philip Dadson Sound Travels
Roger Dean & Paul Dyne Improvising Ideas and Education
Concerts
Books
Records
AUTUMN 1993 / NUMBER 20
Contents
Allan Thomas Asia Pacific 1992: A Cultural Banquet
Helen Bowater Asia Pacific 1992: Music of Today
Gillian Whitehead Asia Pacific 1992: A New Entity
Tony Donaldson Asia Pacific 1992: Dialogue, Discourses & Debate
Jack Body Dr L Subramaniam: A Musician of Many Worlds
Eve de Castro-Robinson Odaline de la Martinez: The Dynamic Baton
Alistair Gilkison Jonathan Besser: Bringing it all Together
Fiona McAlpine Andrew Perkins: A Composer with a Message
Jill Friar East Meets West: The Suzuki Method in New Zealand
Philip Dadson Sound Travels: Part 2
Richard Wolfe The Quiet Man at the Piano: Crombie Murdoch & his Music
Adrienne Simpson Heather Begg: In Her Own Words
Judith May Charles Baeyertz: The Golden Years of the Triad
Books
Records
WINTER 1993 / NUMBER 21
Contents
William Dart The APO's Trade Fair: SOUNZ Orchestral '93
Paul R. Bushnell Is There Nothing Like a Dame?: Canterbury Opera's La Traviata
Peter McClymont School Music Today (1) The Singers
Martyn Heath School Music Today (2) The New Syllabus
Jeremy Commons The New Zealand Chamber Orchestra at the Mittagong Festival
Tony Donaldson Ambassador with a Lute: A Conversation with William Bower
Sue Court Anthony Ritchie: Finding the Balance Between Head and Heart
Donald Maurice Bartok's Viola Concerto: New Light from New Zealand
Peter Russell Man Alone: Douglas Lilburn's Sings Harry in Context
Alice Taylor Colin Hemmingsen
Bruce Morley The Launching of Nga Matua: A Personal View
Paul McKessar The Jean-Paul Sartre Experience
William Dart Terence O'Neill-Joyce: 25 Years of Ode Records
Judith May Dame Clara Butt in New Zealand: Sing 'Em Muck, or Musical Mediocrity in the Colonies
Performances
Books
Records
Letters
SPRING 1993 / NUMBER 22
Contents
Sally Macarthur Writing 'Difference' into the Musical Body
Leonie Holmes Return to Nelson: The 1993 Composers Workshop
William Dart Elisabeth Airey: A Champion of Chamber Music
Jenny McLeod's Earth and Sky
Fiona McAlpine Eve de Castro-Robinson's Triple Clarinet Concerto
Fiona Rae Jay Clarkson
Robert Johnson Carmel Carroll
Eve de Castro-Robinson Mary O'Brien
Merrill Coke Vicki Jones
Joy Aberdein Alexa Still
William Dart Moana: A New Song for Aotearoa
Alwyn & Laurie Lewis A Conversation with Jann Rutherford
Andra Patterson Pirate Jenny: The Singular Voice of Janet Roddick
Lisa Sabbage Gingham and Other Icons: Jools & Linda Topp
Gillian Whitehead & Helen Bowater: A Conversation
William Dart Dorothea Franchi: Kiwi Pragmatist
Carol Brownlie Dorothy Freed: Librarian and Composer
Judith May Joye Taylor (1898-1979): A Lifetime of Music
Rod Biss Editions and Additions: Auckland Opera's Carmen
Stefan Tyler-Wright The French Touch: Wellington City Opera's Les Pecheurs du Perles
Adrienne Simpson 'One of Our Own ': Amy Sherwin in New Zealand
Caroline Vercoe South Pacific Voices
Donna Yuzwalk Not Rocking the Cradle: Women in Rock
Performances
Books
Records
SUMMER 1993-94 / NUMBER 23
Contents
Heath Lees Opening and Closing Musical Cultures
Andra Patterson Cause for Celebration: The New Zealand Smoke free Composing Women's Festival
Janet Wilson A Weekend of Song: Sing Aotearoa 1993
Robert Sund & David Hamilton: A Conversation
Jenny McLeod's He Iwi Kotahi Tatou: An Appreciation by Gillian Whitehead
John Young The Electroacoustic Music of Denis Smalley
Michael Avery A Composer in the Community: The Music of Ross Harris
Gillian Whitehead The Cultural Mix: Tanz der Schwane at Victoria University
Paul R. Bushnell An Orchestra Unmasked: Canterbury Opera's Un Ballo in Maschera
Rod Biss A Popular Success: Auckland Opera's The Magic Flute
Rosemary Collier On the Lighter Side: Wellington City Opera's The Merry Widow
Paul R. Bushnell From Ballet to Opera: The Making of Philip Norman's A Christmas Carol
Rod Biss Playing Lilburn: John Hopkins on the Symphonies
Laurie A. Lewis Hello, This is Turntable Calling. . . . Any Rags, Any Jazz, Any Boppers Today?
Stephen Zepke Dean Hapeta: The Medium is the Message
Concerts
Douglas Mews (1918-1993)
Letters
Music
Books
Records
AUTUMN 1994 / NUMBER 24
Contents
J .M. Thomson Concert FM: Prospects for Suroival
Joy Aberdein Michael Houstoun The Beethoven Cycle
Jack Body Gareth Farr: Gamelan & Decibels
Martin Lodge David Griffiths: A Conversation
James Tibbles Heather Charlton: A New Zealand Harpsichordist in Europe
Piripi Walker Hirini Melbourne: A Tribute
William Dart Te Ku Te Whe: Rediscovering a Tradition
Rosemary McBryde Colin Gibson Hymns for Aotearoa New Zealand
John M. Jennings The Pioneering Spirit: The University of Canterbury Madrigal Singers
Judith May Alice Mackay Mus. Bac: A Composer of Song
Oliver Stead Xpressway: We Know What's Good For You
Gordon Spittle Johnny Cooper: The Original Maori Cowboy
Peter Harcourt Hinemoa: The Play, The Film, The Musical
Robert H.B. Hoskins A Newly-Discovered Ballad by Charles Thatcher
Books
Records
WINTER 1994 / NUMBER 25
Contents
Philip Brownlee New Music in Focus: The APO' s Third Composers Workshop
Jeremy Commons Sarah Billinghurst: New Zealander at the Metropolitan
Robin Maconie talks to Music in New Zealand
William Dart New Zealand First: Tony Vercoe & Kiwi Pacific Records
Eve de Castro-Robinson John Kenneth Mercer: Into the Light
Tony Donaldson The Singer's Art: An Interview with Malcolm McNeill
William Dart When the Cat's Been Spayed: A New Breed of Divas
Paul R. Bushnell A Persuasive Reworking: Canterbury Opera's Lucia di Lammermoor
Rod Biss Spectres and Shortcomings: Bitter Calm at the International Festival of the Arts
Reports from the Fifth NZ International Festival of the Arts
Performances
Books
Records
SPRING 1994 / NUMBER 26
Contents
Philip Brownlee A Plethora of Styles: The 1994 Nelson Composers' Workshop
Choral Issues in New Zealand
Eve de Castro-Robinson David Guerin: From Karori to Kontarsky
Laurence Simmons Don't Let It Get You: Livin' and Lovin' in New Zealand's First Film Musical
Greer Garden Verdi in New Orleans: Wellington City Opera's Un Ballo in Maschera
Rod Biss Nagasaki Mon Amour: Auckland Opera's Madam Butterfly
John Drummond Honor McKellar: A Voice Unique
Robin Nathan Willow Macky: Balladeer for a New Country
David Eggleton The Bats: Hearing Secret Harmonies
Oliver Stead Sweet Road Mix: Greg Fleming and The Trains
Performances
Records
SUMMER 1994-95 / NUMBER 27
Contents
Elizabeth Kerr Cultural Exchange: Composing Women Across the Tasman
Martin Lodge Opera Here and There: Reinhard Febel in Wellington
Gillian Whitehead A Conversation with Erika Fox
Richard Bolley Looking Back. . . Leaping Forward: The BBC Proms at 100
Rodger Travers A Move to Modernism: Anthony Watson's Prelude and Allegro for Strings
Noel Sanders Convocations, Evocations and Invocations: Jack Body and his Calling(s)
Leon Coates The Gaelic Connection: Lyell Cresswell at 50
Rod Biss Conspiracy Never Sleeps: Auckland's Rigoletto and Wellington's Turandot
John Drummond Honor McKellar: A Voice Unique Part 2
Heath Lees Sir Donald McIntyre: Highlights from a Wagner Knight
Alwyn Owen Phil Garland: In Search of the Elusive Kiwi Folk-Song
David Sell Bridgewater: A Community Arts Success in North Canterbury
Performances
Music
Books
Recordings
AUTUMN 1995 / NUMBER 28
Contents
Martin Lodge Mainstreams and Margins
Tony Vercoe Bravo! A Tribute in Three Parts to the New Zealand Opera Company 1954-71
William Dart Quality & Quantity: ExtravaCANZA '94
Tony Donaldson A Conversation with Robert Oliver
Jack Body Yuji Takahashi in Wellington
Marianne Hepple Patrick Power: The Operatic Stage and Beyond
Ian Dando Kit Powell: A Decade in Europe
Gillian Whitehead Tessa Birnie: There Was Never Anything But Music
Campbell Walker Bill Direen: The Songwriter's Cut
Allan Thomas The Family Album of Drawing-Room Songs
Michael Houstoun Fred Turnovsky (1916-1994): A Personal Tribute
Performances
Books
Recordings
WINTER 1995 / NUMBER 29
Contents
Jack Body L.C.M. Saunders (1908-1995); A Tribute
Kurt Ganzl Peter Harcourt (1923-1995): Remembering Peter
Peter Downes Brian Salkeld (1926-1995): A Life with Music
William Dart A Conversation with David Wright
Jonathan Bywater Natural Choices: The Art of John Cousins
John M. Jennings John Ritchie: A Profile
Anthony Ritchie Philip Norman: On Songwriting
Anthony Blaschke 25 Years On: The Auckland University Singers
David Eggleton Otis Mace: The Untold Story
Kurt Ganzl Emily soldene: In Search of a Singer
Performances
Books
Recordings
SPRING 1995 / NUMBER 30
Contents
Kiri-Speak Dame Kiri Te Kanawa on New Zealand Music
Glenda Keam Music Education-Alive & Well? NZsME's Music '95 Conference
Anthony Ritchie A Journey into the Unknown
Philip Brownlee Present Indicative, Future Hopeful
Ivan Patterson Maria Grenfell: A New Zealand Composer in America
Dorothy Ker A Conversation with Nicola Le Fanu
Jack Body The Canadian Connection: Ronald Tremain in Conversation
Sarah Shieff & Wystan Cumow From Scratch: 273 Moons
Rod Biss A Dramatic Coup: Auckland Opera's Faust
William Dart Tales of the Sea: Wellington City Opera's Peter Grimes
Noel Mangin (1931-1995): A Tribute
Mark Amery Splash of Colour: The Anarchic Rock of Wendy House
Performances
Music
Letters
Recordings
SUMMER 1995-96 / NUMBER 31
Contents
David Nalden Anthony Jennings (1945-95)
Glenda Keam Increasingly Visible: The New Zealand Smokefree Composing Women's Festival
Brigid McLafferty Singers of Tomorrow: The NZ Festival of Youth Choirs
William Dart Peter Scholes: Clarinettist, Conductor & Composer
John Young Lines, Distances and Soundscapes: Douglas Lilburn 's Electroacoustic Music
Margaret Nielsen The Piano Music of Douglas Lilburn: Reflections on my On-going Appreciation of a Unique Treasury of Music
Robert H B. Hoskins The Childhood Landscape of Douglas Lilburn's Drysdale Overture
Chris Bourke Douglas Lilburn: An Interview
Rod Biss Missing Magic: Auckland Opera's La Traviata
Mark Storey Graham Hanify
Maori Music in Maori Language year: Timoti Karetu in conversation with Allan Thomas
Jonathan Dennis Ana Hato: The Melody is Ended but the Memory Lingers On. . .
Performances
Books
Recordings
AUTUMN 1996 / NUMBER 32
Contents
Dugal McKinnon Access and Accessibility: New Music and Young Composers in Aotearoa
John Young Christopher Blake: Towards a Sense of Place
Ian Dando Diedre Irons talks to Music in New Zealand
Anthony Blaschke Mark Pedrotti: The View from Canada
Rod Biss The Road to Morroco: Don Giovanni in Auckland
Mark Hodgkinson The Aspen Experience
Glenda Keam Margaret Lion: An Ambassador for Our Music
Eve de Castro-Robinson Jane Manning: The Contemporary Composer's Advocate
Philip Brownlee Music for Solo Instruments: Challenges for Composers, Performers & Audiences
Belinda Meares Music from the Roots Up
Jonathan Bywater Music Not Done Properly: The Swinging Sounds of Greg Malcolm
Sarah Hoult Sandra Bell
Elizabeth Kerr The Reluctant Minimalist: Philip Glass's La Belle et la Bete
The Sixth International Festival of the Arts
Performances
Music
Books
Recordings
SPRING 1998 / NUMBER 33
Contents
Martin Lodge Reflections on the Renewal of Music: An Argument
Helen Bowater Rats in a Sinking Ship: A New Zealand Composer in Buffalo
William Dart Passion and Conscience: Alley at Wellington's International Festival of the Arts
Glenda Keam Dan Poynton's Magical New Zealand Music Tour
Jason Kaminski Uncut: A Conversation with Gareth Farr
Roger Wilson Capital Bohemians: Puccini in Wellington
Denise Hulford & Henare Te Ua Helen Fisher's Taku Wana: The Enduring Spirit
Frankie Hill Angelfish: The Káren Hunter Story
Doug Munro Donald Munro and the New Zealand Opera Company
John Mansfield Thomson Rosina Buckman: A Newly-Discovered Press-Cutting Book
Allan Thomas The Haka in the Thick of It: The Sports Challenge and Traditional Haka 'Ka Mate Ka Mate'
Performances
Books
Recordings
SUMMER 1998-99 / NUMBER 34
Contents
William Dart Recognition at Last: the Inaugural SOUNZ Contemporary Award
Gordon Burt New Zealand, New Music: An Edinburgh Celebration
Philip Brownlee New Zealand Music for Orchestra: SOUNZ NZSO Reading Workshop
Fiona McAlpine Revenge North of the Bombay Hills: Opera New Zealand's Macbeth
John Pattinson A Russian Feast: Eugene Onegin in Christchurch
Glenda Keam The Music of John Psathas
James Gardner Fresh Readings: A Conversation with Mark Menzies
Suzanne Court The Operatic Weave I: Gillian Whitehead's Outrageous Fortune
Jenny McLeod The Operatic Weave II: Gillian Whitehead's Outrageous Fortune
Jonathan Besser Jonathan Besser in Auckland: A Musician's Diary
Matthew Bannister Predicting Flying Nun's Past: Jean-Paul Sartre Experience's Flex
Sarah Shieff Frank Gurr: Clarinettist
Adrienne Simpson Remembering the Alex Lindsay String Orchestra: A Conversation with Geoffrey Newson
John M. Thomson Dorothea Turner (1910-1997): Writer on Music
Jason Kaminski James Gardner, Michael Norris A Polemic Answered
Performances
Music
Books
Recordings
SUMMER 1999-2000/ NUMBER 35
Contents
Jody Diamond BEAT! Jakarta (and the world) Comes to Wellington
Brigid Ursula Bisley Cellos in Canterbury
John Mansfield Thomson The Trembling Sounds Anew: Wellington's First Early Music Festival
James Gardner Emerging from the Shades: The 1999 Nelson Young Composers Workshop
Michael Norris Time, Motion and Memory: The Music of John Young
Roger Smith Yeah, that's Ken Young
Music in New Zealand talks to Jeremy Winter
Jack Body Maori Music & Bluegrass: A Conversation with Ashley Heenan
William Dart Rattle: The Sound of Things to Come
Jane Dawson Elusive Fantasy: Wellington's Magic Flute
Richard Moyle Classical Polynesia: Music in a Samoan Village
Robert Hoskins The Unfortunate Man: A Ballad by Joe Small
John Mansfield Thomson Coda: The Letters of Berlioz Today
Performances
Letters
Books
Recordings
SUMMER 1999-2000/ NUMBER 36
Contents
William Dart Musicwomen Aotearoa: The Third Composing Women's Festival
Adrienne Simpson Unbeatable: Wellington's Operatic Troupers
Simon Tipping Why Are They So Darn Good?: The New Zealand National Youth Choir
In Conversation: Patricia Wright and Carmel Carroll
Roger Wilson Low-Key Lepidoptera: Wellington's Madama Butterfly
William Dart From Mafioso to Masonic: Auckland ' s Cav & Pag and Hamilton' s Magic Flute
Michael Norris Colliding Worlds: The Music of Juliet Kiri Palmer
Ian Whalley Kit Powell: Changing Approaches and New Zealand Sounds
John Elmsly Beyond the Sound: The Electroacoustic World of John Rimmer
Jack Body Maori Music & Bluegrass: A Conversation with Ashley Heenan
Laurence Jenkins Richard Farrell in New Zealand
Matthew Bannister Don McGlashan: Touching the Green, Green Grass of Home
Martin Lodge John Mansfield Thomson (1926-1999)
Alan Simpson Maxwell Fernie (1910-1999)
Performances
Music
Books
Recordings
WINTER 2000 / NUMBER 37
Contents
Roger Wilson Travails with my Aunt: Dorothy Freed (1919-2000)
William Dart SOUNZ: Musical Ambassadors, OffShore and On
Gillian Whitehead A Weave of Song: Sing Aotearoa 2000
Nicholas Baragwanath A Question of Balance: The Music of Ross Harris
Paul Booth The Karlheinz Company: Making Today's Music Matter
Michael Vinten The Mansfield Stories: Dorothy Buchanan's Musical Challenge
Jeremy Commons The Mansfield Stories: Adapting Three Classic Tales
Peter Shaw Franz Paul Decker and New Zealand: An Enduring Association
Bruce Bateman Morley Michael Parekowhai's Ten Guitars: A Contemporary One-Act Mystery Play
Matthew Bannister James K. Baxter: The Messiah or Just a Very Naughty Boy
Miriama Young Amalgam: Adventures in the Circus of Contemporary Music
Festival 2000
Performances
Recordings
SUMMER 2000-2001 / NUMBER 38
Contents
Lisa Meridan-Skipp Victoria Kelly: On Screen and Off
Sonic Broom: The Composers Talk Back!
John
Cousins David Downes
Eve de Castro-Robinson
Helen Fisher
Philip Norman
William Dart Sonic Broom: New Zealand Composers Sweep the Floor
William Dart Absolutely Essential: Auckland's Purely Piano Series
Gary Wilby The Bicultural Connection: Tete Kura in Wellington
James Gardner Emerging Talents: Auckland Philharmonia's Composer's Workshop
Jack Body Frederic Rzewski: Pianist, Composer, Provocateur
Gillian Whitehead Taking up the Challenge: A Conversation with Anthea Moller
Mirlama Young Sonic Maps: The Musical Worlds of Annea Lockwood
Ian Whalley Matthew Suttor: Visualising Music and Things Theatrical
Louise Garrett David Watson: Insane Ruralism in New York
Performances
Recordings
WINTER 2001 / NUMBER 39
Contents
William Dart An Homeric Achievement: 2001 Viola Odyssey in Wellington
Talking Strings: The New Zealand String Quartet in Conversation
Douglas Lilburn (1915-2001): A Garland of Tributes
Roger Wilson Wild Opera: A Much-Needed Initiative. . . At Last
Philip Brownlee Spoilt for Choice: A Sampling of New Zealand Orchestral Music
Michael Parsons Great Sounds: The 2001 Nelson Composers' Workshop
Peter Russell Crowe Tectonic Shifts: From Scratch at SCAPA
Peter Adams Jack Speirs: Composer, Teacher, Musician
David Hamilton Bursary Music: The Current Situation and How It Came About
Richard Dale New Sounds Off K Road: Alt-music at Galatos
James Gardner Alpha to O-Mega: Iannis Xenakis (1922-2001)
Performances
Recordings
SUMMER 2001-02 / NUMBER 40
Contents
Ron Butlin New Zealand, New Music: A Return to Edinburgh
Geoffrey King New Zealand, New Music: The View from Holland
Richard Moyle Ifoga!
William Dart 175 East: Committed to the Contemporary Cause
Eve de Castro-Robinson Sound Man: The Music of John Elmsly
Sonic Broom 2: More Composers Talk Back
An Unexpectedly Vivid Life: Janetta McStay in Conversation with David Guerin
BoIke Water The Birth of a Nation: J.C. Beaglehole and the National Orchestra
Performances
Books
Recordings